Posted tagged ‘Death of the Media’

Why Newspapers are Dying: George Will Has Reached His Sell-By Date edition

October 12, 2009

Some of the problems faced by traditional newspapers (the MSM, dead tree dept.) are imposed from without.  It’s not anyone in particular’s fault that the emergence of the intertubes and related digital developments is destroying most of the economic pillars on which newspapers have prospered for a long time.

But there are plenty of wounds that are self inflicted.  No one has forced newspapers to emphasize, say, style at the expense of reporting, especially the kind of gasbag opinionizing that dare not speak its name.  See this latest via Balloon Juice for just one small instance of major media deciding to render themselves irrelevant.

And most bizarrely, no one has forced folks to create a star system of punditry, despite the fact that the only unique advantage major media possesses over the digital wild west is a knowledge of journalistic craft and the institutional infrastructure that supports sustained inquiry and local and or investigative reporting.

But that’s a disastrous miscalculation.  Training up an institution to do real reporting well is hard — and would provide one distinctive competitive advantage over independent knights of the keyboard. Opinion writing does not.  Anyone, even yours truly, can take a whack at it; over time big, fixed cost dinosaurs can compete on neither quality nor quantity  (or, as we say in my house — both Rock and Roll.)

And if, for example, that house organ to the powerful, The Washington Post has to rely on work like  that George Will eructates to lay claim to a distinctive place in our media culture…well, on the evidence of his latest, the end can’t be far off now.

In fact, if I were Fred Hiatt (what a horrible thought…really for Fred or me….) I’d demand my money back.  There truly is nothing there, no actual facts, no analysis, no thoughts.  It’s got some of the Will trademarks — the mandarin disdain; the cocktail-party level faux sophistication (look at me! I look at paintings! the pretentious anglophilia); the relentless projection (I’m not really a sneering asshole;  YOU are!); but at bottom, this is just Will finally going alll Norma Desmond on us.  From top to bottom this reads as an almost pitiable cri de coeur:   “pay attention to me; I used to be somebody!”

The winceable stuff starts right at the top, with a typical Will trope:

Consider nature. Not the placid nature that Constable painted, but nature as Tennyson saw it, “red in tooth and claw.” To glimpse a state of nature as Hobbes imagined it, where human life is “nasty, brutish and short,” visit the Whole Foods store on River Road in Bethesda.

Ooh, ooh teacher, I know this one!

If you want to impress the gullibles, and you want to assert an authority you have not earned, make sure you scatter into your writing/speech — preferably near the top — two or three droplets from the handbook of safe bits of smart-people stuff.  Here we have a famous painter, a nicely canonical poet, and the one quote everyone has heard from someone you can be pretty sure most of your readers have not read well (or recently) enough to expose you for the superficial pseud you are.

Will does this all the time — he is glib, he affects a broad and deep knowledge, he has plenty of access to research assistants.  And particularly in a town like DC, which dotes on culture in the service of power, this kind of stuff goes down a treat.

It’s pitiable nonsense, of course, neither good writing nor in fact an intelligent reading of his sources.  Tennyson’s godawful poem* contrasts nature to human beings — the poet! —  and their relationship to the divine, which has in essence nothing to do with what Hobbes is talking about. But who cares — certainly not Will.  Rather, these are just cliches with Dior labels attached–  “red in tooth…” and so on, both familiar and useful reminders of the speaker’s status.

Will at this point isn’t worth a whole lot of effort to fisk or debunk.  All you will find in this latest evidence of fatal decline is a tally of imagined horror:

*Liberals arguing over parking spaces to buy expensive vegetables proves that those who think that George Will is an idiot are just as awful as those who bring guns to political rallies.

*He argues (really?  is that the verb?  — ed) that because he does not like liberals, therefore liberals are elitist hypocrites.

*He asserts that liberalism’s interest in rights has somehow destroyed the civility, even the legitimacy of the health care debate.

*He thinks that a local traffic dispute proves  that liberals stand on rights too much to resolve disputes — and that, by implication somehow this means that whatever it is that stands for conservatism ought still to command respect.

That is:  this is one long screed of “I hate you guys,” so much so that in the end, it is not worth the bother of deconstructing.  Just take one short quote for an illustration and you’ll get the whole.  Consider:

If our vocabulary is composed exclusively of references to rights, a.k.a. entitlements, we are condemned to endless jostling among elbow-throwing individuals irritably determined to protect, or enlarge, the boundaries of their rights. Among such people, all political discourse tends to be distilled to what Mary Ann Glendon of Harvard Law School calls “rights talk.”

“If our vocabulary is composed exclusively…” And if it’s not, as patently it isn’t?  What’s there?  A lazy old man whose moral and intellectual hemmorrhoids are acting up.

See e.g., the very health care dispute to which Will makes reference.  The argument about the public option is heated indeed, but it’s not about a right.  Rather its about what would be the best politically possible way to reach a particular policy goal:  how to insure as near to everyone as possible at the lowest cost to society.  End of story. Which Will has to know, unless he picked this as the wrong week to stop sniffing glue.  (That universal health care can be expressed as a right isn’t what the left is arguing about.  It’s how to achieve the end of instantiating that right — or as it is sometimes conceived, that essential moral and pragmatically social-order-serving obligation of a modern developed society.)

“rights a.k.a. entitlements.”  So free speech is an entitlement?  The free exercise of religion?  How about the expectation as a human right that in detention one will not be subject to torture?  If these are entitlements, then the eternal Inigo Montoya rises up once more.

“Endless jostling among elbow throwing individuals?”… Timing is everything, but on the weekend of the LBGT march on Washington, I’d have to ask if Will thinks it inappropriate for someone to take to the streets, peaceably, elbows and all, to jostle his delicate sensibilities with demands for equal treatment under the law.  Note also the sleight of hand:  “to protect, or enlarge.”

Speaking as someone enjoying my bloggy moment of free speech, its protection in all kinds of ways (net neutrality, e.g.) seems important.  To condemn it ever so slickly by conflating it with enlarging…well, from the point of view of the writer’s craft, that’s slick, skilled, and wholly dishonest.  (Also, I’m not so sure what is so bad in the abstract about enlarging rights:  from sufferage to equal access to public benefits, as in Title 9 seems like exactly the logic of a view of humanity that accepts the essential notion of equal treatment under law.)

“Among such people” — ahh, here’s the real nub. Who are these people? Will never says. The wrong sort, no doubt.  They’re the imagined Prius drivers who dare to shop at Whole Foods.  They are pissed off drivers slowing for speed bumps, profiled in a strangely anachronistic Post piece that presents as new what has happened in neighborhoods all over America (all over the world) when traffic engineers use their tools to shift driving habits.**

Whoever they are, these mythical liberals, these hypocrites, these folks who dare speak of rights — they are not, in fact, the people who have truly provoked the great George Will.  Rather, those offenders would be, I think (a) the large subset of the governing party that is ignoring everything he has to say, and (b) the American voters who have sent a young, smart, not-one-of-us man to the White House, along with 60 of the wrong party to the Senate and a similarly large delegation to the House.

Which is to say that most of Will’s career has been, in effect, repudiated by those results.  The electorate and a growing (though not yet dominant) faction of the ruling party understands that Will has gotten most of the important calls wrong for a very long time now.  They and we realize that he has nothing much left to say, given how thoroughly his earlier arguments have been shown to be wrong — not through debate, nor the easy abstractions of armchair argument, nor by raising his Constable with any of a number of Turners, but in the hard school of the real world in which he has lined up on the side of grotesque political and policy failure.

Which leaves Will with this:  a column that says nothing, as little-boy-nastily as possible.

And that, my friends (channeling my inner McCain, there folks — sorry) leads back to the beginning at which we will end.  If the Post doesn’t start breaking some real journalism soon; if all it has to offer is “such people” kvetching by tired old Gloria Swanson impersonators, then what reason for being will they have?  Why would anyone lay down a buck or whatever they charge these days for wrap any self-respecting fish would reject?

*and endless.  I dare you to read the whole thing.  And I’ll bet dollars to donuts that Will has not.

**It may come as news to Will, but this has happened before.  And what usually goes down is this:  people get pissed off for a while about speed bumps or other bits of traffic engineering when they first are installed, and then they just deal, as most folks figure out that slowing down in neighborhoods full of kids is not the worst idea in the world.  Only a world-class asshole would assume that the “conflict” between neighborhoods and drivers passing through was a measure of political sincerity or sophistication.

Image:  Vincent van Gogh, “Old Man in Sorrow (On the Threshold of Eternity)” 1890